In the summer of 2012, Bill traveled to the Arctic region of Svalbard to develop "Earthtones", an environmentally-inspired music experience featuring the mysterious sounds of Arctic wildlife seamlessly blended with his own musical interpretation of the remote archipelago. In 2013, Bill was awarded with an Artist Opportunity Grant from the Pittsburgh Arts Council to help fund the release of the debut "Earthtones" album. He debuted the project for the first time in a live setting at the Oaks Theater in April of 2015, performing in front of a dynamic visual show featuring drone footage of the Svalbard glacier regions shot by photographer Peter Cox; timelapse & wildlife footage shot at the Polar Station in Hornsund by Witek Kaszkin; film contributions from Polar Bears International and excerpts from the lectures of glaciologist Doug Benn & bear specialist Rupert Pilkington.
His "Earthtones" music is created using a process of merging sound from life on Earth, recorded in various locations around the world, with innovative musical elements and artistic interpretations of these unique places. Natural rhythmics and tones within the field recordings evolve into custom instrumentation and melodic structures, creatively shaped to be used musically in his original songs and score. A shifting glacier becomes a percussive drum; the breath of a whale vibrates at the center of an atmospheric swell; a chorus of bird calls harmonize with the human voice over a pulse of bass created from the growls of walrus. The goal of "Earthtones" is to connect people to their environment and surroundings through sound and music, exploring the dynamics of life on Earth and the ways that humans and nature interact, collaborate and conflict.
He has continued to expand his "Earthtones" project with sound recording expeditions to South Central Alaska, Iceland, Shenandoah National Forest, Joshua Tree National Park and the streets of New York City. His "Earthtones" music was featured as the soundtrack for Deborah Lindquist's 2017 "A Walk on the Wild Side" fashion show at MODA 360 in Los Angeles, an innovative exhibit of international art, fashion and film benefiting the Los Angeles Zoo and Botanical Gardens’ conservation programs. The show featured an original score, created by Stankay, using only natural sounds of the Earth and wildlife.
In the summer of 2017, Bill traveled to South Dakota to record sound for the upcoming "Blood Memory" documentary, which explores how battles over blood quantum and “best interests” resurface the untold history of America’s Indian Adoption Era, and the ways in which a survivor of this stolen generation returns to heal her Sicangu Lakota community. Bill is currently scoring the film in collaboration with director Drew Nicholas, using natural sound and "Earthtones" from the Badlands, Black Hills, Rosebud Reservation and surrounding areas to create the musical tapestry for the film's original score.
The debut "Earthtones" albums are slated for release in 2018. Bill will return to South Central Alaska in January of 2018 to record new sound at locations such as Matanuska Glacier and Resurrection Bay to include in his debut albums.
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